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  <body>In celebration of their February 26th show at the Brooklyn Academy of Music with the Brooklyn Philharmonic and Bell Orchestre, we're selling Clogs' entire catalog for one low price.  For more information, please click &lt;A HREF=&quot;http://www.bam.org/view.aspx?pid=713&quot; TARGET=&quot;_blank&quot;&gt;here&lt;/A&gt;.  

Clogs are an improvising quartet that features Bryce Dessner (guitar/ukelele), Padma Newsome (viola/violin/piano), Rachael Elliott (bassoon/melodica), and Thomas Kozumplik (percussion).  Their first release was Thom's Night Out, released in 2001.  Then came Lullaby For Sue (2003), Stick Music (2004), and Lantern (2006).  

&lt;P&gt;&lt;B&gt;Thom's Night Out&lt;/B&gt;
&quot;The music handily eludes classification, but fans of Sigur Ros, the Rachel's, and other post-rock ensembles who know how to listen in respectful silence to a live performance will have no trouble appreciating the softly evocative compositions.&quot; (&lt;I&gt;The New Yorker&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 Download from &lt;I&gt;Thom's Night Out&lt;/I&gt;: &lt;/B&gt; &lt;A HREF=&quot;http://www.brassland.org/sound/clogs_im_very_sad.mp3&quot; TARGET=&quot;_blank&quot;&gt;I'm Very Sad&lt;/A&gt; 

&lt;P&gt;&lt;B&gt;Lullaby For Sue&lt;/B&gt;
&quot;You say you know all about art, you just don't know what you like? So try a night out to challenge your assumptions, such as this one here: The Aussie/American sort-of chamber quartet Clogs offer densely mellifluous and mesmerizing interweaves of viola and violin, guitar, bassoon and percussion in low-key, often vaguely ethnic-music-derived pieces whose meanderingly ghostly air is blessedly free of mere wispy whimsicality. Their very satisfying record on Brassland/Southern called Thom's Night Out has received deserved raves worldwide, and there's a new one, Lullaby for Sue, soon available.&quot; (&lt;I&gt;LA Weekly&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 Download from &lt;I&gt;Lullaby For Sue&lt;/I&gt;: &lt;/B&gt;&lt;A HREF=&quot;http://www.brassland.org/sound/clogs_whosdownnow.mp3&quot; TARGET=&quot;_blank&quot;&gt;Who's Down Now&lt;/A&gt;

&lt;P&gt;&lt;B&gt;Stick Music&lt;/B&gt;
Clogs' third album, &lt;I&gt;Stick Music&lt;/I&gt;, is a tour-de-force concept album conceived by Newsome and Dessner. Simply put: It is a deep exploration of strings. They are bowed, struck, plucked, and treated as never before. The results are intimate, melodic, gorgeous. One moment they resonate like gentle raindrops, the next they're woven into dizzying eddies of sound. The record includes performances by cello virtuoso Erik Friedlander.

&lt;P&gt;&lt;B&gt;Free mp3 from &lt;I&gt;Stick Music&lt;/I&gt;: &lt;/B&gt;&lt;A HREF=&quot;http://www.brassland.org/sound/clogs_pencil_stick.mp3&quot; TARGET=&quot;_blank&quot;&gt;Pencil Stick&lt;/A&gt;

&lt;P&gt;&lt;B&gt;Lantern&lt;/B&gt;
&quot;Clogs, who cluster around guitarist Bryce Dessner and violinist/multi-instrumentalist Padma Newsome, would resent being referred to as The National's artier spin-off project. Having met at Yale School of Music in the late '90s, they predate our Alligator favourites, and have released three previous albums of experimentation and minimalism. Simplistic reference points for their mesmerising use of repetition and polyphony would be Moondog or The Penguin Cafe Orchestra. But the &quot;contemporary classical&quot; tag doesn't do justice to their cinematic, intense instrumental narratives: like Mogwai's, they tend to build to within an inch of breaking point.&quot; (&lt;I&gt;Uncut&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 from &lt;I&gt;Lantern&lt;/I&gt;:&lt;/B&gt; &lt;A HREF=&quot;http://www.brassland.org/sound/clogs_lantern_medley.mp3&quot; TARGET=&quot;_blank&quot;&gt;Five/Four&lt;/A&gt;

</body>
  <body-html>&lt;p&gt;In celebration of their February 26th show at the Brooklyn Academy of Music with the Brooklyn Philharmonic and Bell Orchestre, we&amp;#8217;re selling Clogs&amp;#8217; entire catalog for one low price.  For more information, please click &lt;A HREF=&quot;http://www.bam.org/view.aspx?pid=713&quot; TARGET=&quot;_blank&quot;&gt;here&lt;/A&gt;.&lt;/p&gt;


	&lt;p&gt;Clogs are an improvising quartet that features Bryce Dessner (guitar/ukelele), Padma Newsome (viola/violin/piano), Rachael Elliott (bassoon/melodica), and Thomas Kozumplik (percussion).  Their first release was Thom&amp;#8217;s Night Out, released in 2001.  Then came Lullaby For Sue (2003), Stick Music (2004), and Lantern (2006).&lt;/p&gt;


&lt;P&gt;&lt;B&gt;Thom&amp;#8217;s Night Out&lt;/B&gt;&lt;br /&gt;&amp;#8220;The music handily eludes classification, but fans of Sigur Ros, the Rachel&amp;#8217;s, and other post-rock ensembles who know how to listen in respectful silence to a live performance will have no trouble appreciating the softly evocative compositions.&amp;#8221; (&lt;I&gt;The New Yorker&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 Download from &lt;I&gt;Thom&amp;#8217;s Night Out&lt;/I&gt;: &lt;/B&gt; &lt;A HREF=&quot;http://www.brassland.org/sound/clogs_im_very_sad.mp3&quot; TARGET=&quot;_blank&quot;&gt;I&amp;#8217;m Very Sad&lt;/A&gt; 

&lt;P&gt;&lt;B&gt;Lullaby For Sue&lt;/B&gt;&lt;br /&gt;&amp;#8220;You say you know all about art, you just don&amp;#8217;t know what you like? So try a night out to challenge your assumptions, such as this one here: The Aussie/American sort-of chamber quartet Clogs offer densely mellifluous and mesmerizing interweaves of viola and violin, guitar, bassoon and percussion in low-key, often vaguely ethnic-music-derived pieces whose meanderingly ghostly air is blessedly free of mere wispy whimsicality. Their very satisfying record on Brassland/Southern called Thom&amp;#8217;s Night Out has received deserved raves worldwide, and there&amp;#8217;s a new one, Lullaby for Sue, soon available.&amp;#8221; (&lt;I&gt;&lt;span class=&quot;caps&quot;&gt;LA &lt;/span&gt;Weekly&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 Download from &lt;I&gt;Lullaby For Sue&lt;/I&gt;: &lt;/B&gt;&lt;A HREF=&quot;http://www.brassland.org/sound/clogs_whosdownnow.mp3&quot; TARGET=&quot;_blank&quot;&gt;Who&amp;#8217;s Down Now&lt;/A&gt;

&lt;P&gt;&lt;B&gt;Stick Music&lt;/B&gt;&lt;br /&gt;Clogs&amp;#8217; third album, &lt;I&gt;Stick Music&lt;/I&gt;, is a tour-de-force concept album conceived by Newsome and Dessner. Simply put: It is a deep exploration of strings. They are bowed, struck, plucked, and treated as never before. The results are intimate, melodic, gorgeous. One moment they resonate like gentle raindrops, the next they&amp;#8217;re woven into dizzying eddies of sound. The record includes performances by cello virtuoso Erik Friedlander.

&lt;P&gt;&lt;B&gt;Free mp3 from &lt;I&gt;Stick Music&lt;/I&gt;: &lt;/B&gt;&lt;A HREF=&quot;http://www.brassland.org/sound/clogs_pencil_stick.mp3&quot; TARGET=&quot;_blank&quot;&gt;Pencil Stick&lt;/A&gt;

&lt;P&gt;&lt;B&gt;Lantern&lt;/B&gt;&lt;br /&gt;&amp;#8220;Clogs, who cluster around guitarist Bryce Dessner and violinist/multi-instrumentalist Padma Newsome, would resent being referred to as The National&amp;#8217;s artier spin-off project. Having met at Yale School of Music in the late &amp;#8216;90s, they predate our Alligator favourites, and have released three previous albums of experimentation and minimalism. Simplistic reference points for their mesmerising use of repetition and polyphony would be Moondog or The Penguin Cafe Orchestra. But the &amp;#8220;contemporary classical&amp;#8221; tag doesn&amp;#8217;t do justice to their cinematic, intense instrumental narratives: like Mogwai&amp;#8217;s, they tend to build to within an inch of breaking point.&amp;#8221; (&lt;I&gt;Uncut&lt;/I&gt;)

&lt;P&gt;&lt;B&gt;Free mp3 from &lt;I&gt;Lantern&lt;/I&gt;:&lt;/B&gt; &lt;A HREF=&quot;http://www.brassland.org/sound/clogs_lantern_medley.mp3&quot; TARGET=&quot;_blank&quot;&gt;Five/Four&lt;/A&gt;</body-html>
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